Tone washes for color study for Page 006 of Spirits & Seekers: Cagliostro in Courland. I haven't done anything with the glasses of (dark-colored, like Riga Black Balsam-style) cordial, as I was unsure how to handle the reflection and refraction of the glass in this mostly fireplace-lit scenery; I'll have to quiz my watercolor coach. #mastoart #watercolor #cagliostro
Tone washes for color study of Page 005 of Spirits & Seekers: Cagliostro in Courland. What does Cagliostro see that gives him pause? #mastoart
Getting back to work (again) on the color studies for _Spirits & Seekers: Cagliostro in Courland_. These are updated tone washes for the study for Page 004 -- with lettering. #mastoart
Further progress on Mona Lisa. Don't be afraid to go dark in your early washes! Hahaha. #mastoart
How Mona Lisa stands as of the end of the MIT Craft Fair this past Friday afternoon. Will continue working on her during this week's craft fairs. #mastoart
Finally, Mr. Pitkin is manager of the Hellish Benares Theatre. Needless to say, he takes a dim view of Balcony Fred's menacing behavior. #mastoart
Balcony Fred is a perv who peeps up the stairs to the balcony as ladies in swishy skirts go up. Biff is concerned that he's cast a baleful influence on him. The crouching posture is his position as he peeps up the balcony stairs. #mastoart
Second new "In Hellish Benares" character: Biff, the usher at Hellish Benares Theatre. Middy (when still alive) thinks he's a trifle odd, as he's very young, but wears a more old-fashioned uniform than she does. Toward the end of the story, he crawls along on all fours. #mastoart
Four new character designs for a new "Ling Master" story, "In Hellish Benares". First is Middy, who first appears as a ghost (or "haint", as the Ling Master refers to her). When she was alive, she worked at the Hellish Benares Theatre. I've modified Blaster Al's original story so that it comes full circle rather than just floating off into nowhere like the original. I definitely need practice drawing her hair. #mastoart
My partner and I were at the SMFA Art Sale reception last night -- but since the sale started at 11 AM, we didn't see my framed piece (Cardinals Communing) on the wall, as someone had bought it a half-hour before we arrived! The sale, which benefits SMFA students and programs, continues through this Sunday (today and Sat. 11-7, Sunday 11-5) and I still have some of my shrinkwrapped pieces in the racks for browsing. https://smfa.tufts.edu/events-exhibits/art-sale
Here's _Cardinals Communing_ with watercolor over the scratchboard. This is this year's holiday card, and it's all printed and ready to sell at MICE this weekend. The card crop is a little narrower horizontally than the framed version, which I'm offering in the School of the (Boston) Museum of Fine Arts alumni Art Sale next month. #mastoart
Scratchboard completed -- watercolor tomorrow. Not 100% happy, but I never am. #mastoart
Busy getting ready for Cambridge (MA) Open Studios -- but in the meantime, tonight I'll be at the reception for the COS Preview (a group show of COS participants -- I have a piece from my comic "Laird Macguffin's Treasury") at Cambridge Art Association. If you're in the Boston area, it's at 25 Lowell Street near Mount Auburn Hospital. Join me tonight, 6--8 PM! http://www.cambridgeart.org/
If Hurricane Florence doesn’t suddenly decide to track north instead of west, I will be at *Table F5B* at Small Press Expo this weekend. It’s open to the public Saturday and Sunday at the Marriott North Bethesda, right near the White Flint station on the DC Metro. See you there, I hope! https://lnkd.in/dFPm3D5 #spx
Page 003 of my historical graphic novel, Spirits and Seekers: Cagliostro in Courland, is included in the New England Watercolor Society's Biennial North American Open Juried Exhibition at the Art Complex Museum in Duxbury, MA. The show starts with an Opening Reception this Sunday, 16 September, 2-4 PM, and runs through 13 January 2019. http://www.newenglandwatercolorsociety.org/shows.html#NAOS18 #mastoart #watercolor #Spirits&Seekers
Final versions of the Nightshade Seed Company series, Part Deux. Despite the same top and bottom banner color for the entire series, there were differences in how these came out in the scans, even before I added the color profile and made any adjustments. And the way these look as JPEGs make them redder than they look in Photoshop, let alone on the originals.
Final versions of the Nightshade Seed Company series, in this toot and the next. Despite the same top and bottom banner color painted across the entire series -- that is, I painted them all at once -- there were differences in how the colors came out in the scans, even before I added the color profile and made any adjustments. And the way these violets look as JPEGs make them redder than they look in Photoshop, let alone on the originals.
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